New author bio on Amazon

rodney david rob

I’ve never been particularly happy with my author bio on Amazon.

It has undergone numerous revisions since I first started publishing back in 2012, but thanks to my buddy Rodney Carr (who doesn’t read Westerns) and a Western writers group that doesn’t want me as a full member, I think I’ve finally come up with an author bio I’m happy with.

Rodney is the friend mentioned. Though he doesn’t like reading Westerns, he does enjoy paddling rivers and playing soccer, so I’ve posted with this a photo of us with David Smith during one of our river trips. That’s me on the left, David center, and Rodney – not reading Westerns – on the right.

Some (what I have quoted below) of the new bio comes directly from a letter I wrote to a Western writers group.

I decided a couple of months back that it would make sense for me to join an association of writers dedicated specifically to the genre of Westerns.

I’m in several writers groups, but none of them are specific to what I write.

I went to one of the most prominent organizations of Western authors and discovered that because I self-publish my novels I am ineligible for full membership. I can be an associate member (paying the same dues as a full member), but to be a full member of this group you have to be traditionally published.

I’m pleased to say that I have been approached by traditional publishers (one of whom said he would publish “any and all” of my books). But at this stage in my career, that’s not something I’m interested in doing. This is purely a business decision on my part because I believe I can earn a better living on my own than through a publisher.

So I self-publish by choice (which has not always been the case).

I sent this organization a letter asking that they waive their membership criteria and allow me into the group as a full member.

I wrote an impassioned plea and explained to them why, in my belief, a group of Western authors should be the first to recognize Indie authors as full members (for the record, many organizations supporting authors in other genres already grant full membership to independent authors).

I acknowledged that they have every right to exclude anyone they want from their group. And … they decided to exclude me.

I could join as an associate member and pay the same dues as full members but have fewer rights within the organization.

But the impassioned letter provided me with the guts of my new author bio, so there is no loss.

If you are left wondering whether or not I am bitter or angry about not being allowed into the club of Western writers, the answer is no. It doesn’t bother me. If you are left wondering whether or not I am bitter that my friends do not read Westerns, again the answer is no. I am perfectly okay with the notion that my books are not to everyone’s tastes, and the worst thing that can happen to one of my books is that the wrong reader finds it.

Only two people in this world have an obligation to read my books whether they want to or not. Those are my wife and my mother. And they both do.

Below is the passionate part of my letter to the writers organization I tried to join. If you want the rest you’ll have to visit my author page at Amazon. Please feel free to buy a book while you are there, but only if you want to.

I am drawn to Westerns because it is the only genre that embodies the ideals that I consider to be truly American: Ideals of freedom, of rugged individualism, and of independence of spirit.

The heroes of Westerns are men and women who understand that justice and the law are sometimes two different things. They are people who make their own way by their own means, they are prideful and stand by what they say.

Readers of Westerns, I think, typically hold dear those same values.

They are “my people,” and I consider it a privilege to write stories for them.

No time or place better exemplifies these ideals than the American West of the 19th and early 20th Centuries. This is why I love reading Westerns, and this is why I love writing Westerns.

When I write Western novels, I’m very aware that these principles are not simply tropes in a genre but dearly held beliefs of a certain caliber of people, Americans generally, Westerners specifically, and me individually.

 

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Trulock’s Posse now available on Amazon

TRULOCKS POSSE COVERAfter a few days of some kind of glitch that prevented the cover from showing up in searches on Amazon, I’m pleased to announce that my 14th book “Trulock’s Posse” is now live on Amazon.

Trulock’s Posse is a standalone work and not part of a series.

While it is full of the kind of action you’ll find in my other Westerns, I think it is much more character-driven than some of my other books.

It features a dozen-man posse consisting of business owners and ranchers who chase after a gang of desperadoes after they murder a town marshal.

The conflict is driven in part by the members of the posse themselves and also the action that takes place around them.

The question I’ve gotten from almost everyone who has read it so far is this: “Is Profanity a real place?”

Profanity is a real place name.

Near Escudilla Mountain in Arizona there is a “Profanity Ridge” marked on the maps, a truly beautiful place that slopes down into a large stand of quaking aspen with big ponderosa pines behind. It’s a really lovely spot.

But the outlaw town of Profanity as described in the book is pure invention.

However, these outlaw towns along the border of Arizona and New Mexico territories in the late 1800s were real.

Most of them are gone now. The small town of Luna, New Mexico, is one of the few that still exists.

Ike Clanton (of OK Corral fame) was hiding out in one of these outlaw towns when he traveled to Springerville, Arizona, and was shot and killed there.

I love this notion of an outlaw town and may well write about one again. Maybe I’ll even resurrect Profanity as a setting in another book.

I really enjoyed writing the characters in “Trulock’s Posse.”

I also like that the title character is not the main character and the main character is not the hero.

Among fiction writers, we talk about ourselves as either “plotters” or “pantsers” (ie: Those who plot their books and those who write by the seat of their pants).

Some books I carefully plot while others I pants.

Trulock’s Posse was definitely a pantsed book.

As such, the roles of the characters unfolded for me much in the same way they will unfold for readers. When I started writing, I couldn’t have told you where it was going. I also didn’t know who the main character was going to turn out to be, nor did I know which character was going to be the hero.

Trulock’s Posse was also a “surprise novel” in that I had no plans to write it. The idea came to me for the novel, and I just started working on it. I put everything else aside and even changed my publishing schedule for 2018 to accommodate “Trulock’s Posse.”

I had already developed one of the characters who appears in Trulock’s Posse for a different novel, and when I started writing Trulock’s Posse it was not in my mind to include that character.

So my “surprise novel” also had a “surprise appearance” by a character from another book that isn’t even written yet.

When you write fiction, any damn thing can happen, and my experience is that the best books are the ones where any damn thing does happen.

So if enjoy reading Westerns, I hope you’ll give Trulock’s Posse a read. It’s very much in the vein of Louis L’Amour or Robert B. Parker Westerns.

If you’ve been looking for an opportunity to read one of my novels but you don’t want to make the commitment of a series, Trulock’s Posse is a great option.

Another really good option Is Too Long the Winter. If you’re curious because you know me personally and want to know what I’m doing at 3 a.m. but you don’t even want to commit to a full-length novel, Too Long the Winter is a good option because it is much shorter than Trulock’s Posse.

If you’re fully committed and you want to jump into a series, the Two Rivers Station series is currently three novels deep and will be growing soon. Two Rivers Station is a traditional sort of Western. I’ve told people it’s my “Gunsmoke” series if you’re familiar with the old James Arness TV show.

The Jackson Speed Memoirs is my first series. Those books are much longer and there are currently six of them. Jackson Speed, set in the 19th Century in events like the Mexican-American War, the Civil War, and the California Gold Rush, is similar to traditional Westerns in terms of themes and settings, but the character is not a traditional Western character (that’s your fair warning).

And if you don’t have any interest in reading a novel or a shorter novel or a series and you don’t care what I’m doing on my computer in the middle of the night, then why are you still reading this?

You can find all of my novels at Amazon.com.

Answers to the podcast actually given

 

A couple of weeks ago I was interviewed for J.C. Hulsey’s Wild West Showdown podcast.

As I noted before, my plan was to talk about my new Westerns and avoid talking about Jackson Speed, and of course all I did was talk about the Jackson Speed novels.

All the same, it was a fun interview and I enjoyed doing it. If you’d like to give it a listen, check it out here. My interview begins at the 13-minute mark.

I didn’t have any kind of picture that made sense to go with the interview, so I posted a photo of me paddling backwards through a shoal.

Answers to the podcast never given

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I had a great time this morning doing an interview with J.C. Hulsey who does the Wild West Showdown podcast.

He contacted me last week about being interviewed for the podcast, and so last night I spent some time making notes so that I would be prepared for the interview.

The notes really focused on my new Westerns – Too Long the Winter and Redemption at Two Rivers Station.

These books are going to appeal to more readers than the Jackson Speed novels. I mean, let’s be honest, Jack Speed is a fun character, the novels are set against a very rich (and accurate) historical tapestry, and I love the Jackson Speed novels.

But not as many readers are going to be interested in a womanizing coward as a “hero.”

My new novels are selling pretty well, so I think obviously Mr. Hulsey’s listeners are going to be more interested in hearing about these.

So my notes in preparing for today’s interview focused almost entirely on the new novels.

What did I end up talking about?

You guessed it: Jackson Speed.

The interview didn’t feel so much like an interview. Mr. Hulsey and I just had a conversation, and the conversation naturally flowed toward one thing rather than the other, and I completely forgot about my notes.

But here I am with all these notes and nothing to do with them, so I thought I would share here some of what I prepared in an imagined interview.

I’ll call this “Answers to the Podcast Never Given.”

 

Q. WHY DO YOU WRITE WESTERN NOVELS?

I have always had a fascination with the time period.

My dad is an armchair historian, and in particular he’s always had an astounding knowledge of Civil War history. Growing up, I remember thinking there was no way I’d ever be as knowledgeable as my dad. It’s still a challenge to me to include anecdotes or facts in my novels that my dad didn’t previously know, and once or twice in a novel I’ll manage to surprise him.

The Civil War leads naturally to the American West – what we call now the Old West or even the Wild West, and my interest in this place and time in American history very much developed naturally.

So I’m drawn to that time period of the 19th century from the Mexican-American War, through the Civil War and to the close of the 1800s. That time period takes you from the time of Manifest Destiny and exploration through the War Between the States and into the expansion period.

Not only was it a definitive period of American history, but it was also a time of some really amazing characters. You’ve got so many fascinating and true stories of lawmen like Dangerous Dan Tucker and Seth Bullock and Bass Reaves, and the lawmen were seldom as interesting as the outlaws. And a lot of those folks blurred those lines.

 

Q. WHAT IS IT ABOUT THIS TIME PERIOD THAT IS SO INTERESTING TO YOU?

You also had people who had this really amazing spirit of adventure and willingness to take risks.

Not everybody, of course. Most folks just stayed put in the town they came from, but there were tens of thousands of people who sold everything and set off on an adventure.

Someone back east who sold everything traveled six months across the country, sometimes not really even knowing where they would end up. They faced dangers and obstacles that folks today can’t imagine and wouldn’t dream of taking on if they could.

I’ll tell you a quick story along those lines.

I’m working on the last book in a series of four novels that were inspired by a story from my family’s lore.

Sometime in the mid-1800s I had an ancestor, maybe a cousin to a great-great grandfather, who set out West. The family never heard from him again.

One day his trunk was delivered home with no explanation. No note, no idea who sent the trunk home. Nothing. No one in the family ever knew what happened to him.

That’s a story that has stayed with me over the years and really captured my imagination, and it’s the starting point for the series I’m finishing now.

 

Q. WHO ARE SOME OF YOUR FAVORITE AUTHORS?

One of the reasons I’m drawn to writing Westerns is that I read Westerns.

Louis L’Amour and Robert B. Parker are among my favorite authors. Robert Parker was probably better known for the “Spenser” novels that inspired the TV series “Spenser for Hire,” but he’s also written some great Westerns.

I love Owen Wister’s The Virginian – a novel that also inspired a TV series back in the 60s.

Robert Utley wrote some fantastic non-fiction books about the Lincoln County War that read like novels.

I’m also a fan of Glenn Tucker and Shelby Foote as Civil War historians.

 

Q. WHAT DO YOU HOPE READERS TAKE AWAY FROM YOUR NOVELS?

My goal when I write a novel is to just simply tell good stories. I want to entertain my readers. If you’re not careful, you might learn a little history (especially from my Jackson Speed series which is heavily footnoted with historical context).

But really what I want to do is just entertain folks so that when they finish reading one of my novels they feel satisfied with the way they spent their time.

I charge $3.49 for most of my books, so it’s not a huge investment in terms of money. But it’s humbling to me to think that people are spending their time with my novels, and I don’t want them to regret that. So when I am writing a novel, that’s what I’m thinking about – I’m thinking about a commitment to the reader that I’m going to do the best I can to write a novel that is worth their time.

 

So … According to my notes from last night, that’s absolutely how the interview went. I was able to talk all about my interest in American history and my new Western novels and I hardly even mentioned Jackson Speed at all.

When the podcast airs, I’ll post a link and you can decide for yourself whether or not I accomplished anything resembling my goals.

I think, actually, the most interesting thing I said in the podcast is that I’m a professional doorman for my dogs.

I need to wrap this up now because I hear someone scratching at the door.

Western novels coming soon

 

If you follow me on social media, you might have seen where I’ve hinted in the past few months that I’ve been working on expanding my catalog beyond the Jackson Speed novels.

I wanted to try my hand at writing some more traditional Westerns, and I have spent several months writing those novels.

I’m actually writing in three different and unrelated series, and I also wrote a standalone novel, though the main character in that novel may end up appearing in one of the other series later.

Having spent almost six years writing novels set in the 1800s, the Western genre seemed like an obvious place for me. It’s not much of a transition to go from the Jackson Speed novels to a traditional Old West adventure novel.

In the next few weeks I’m going to start releasing some of these new novels.

My goal with these was to get large portions of the series (or in one case, the entire series) written before publication. I know with the Jackson Speed novels, readers sometimes get frustrated waiting a year for the next book. So I really threw myself into these projects so that I could publish books in each series within a few weeks of each other.

The first book to release will be “Too Long the Winter.” This is the standalone novel set in Colorado Territory in the early 1870s. The novel tells the tale of mountain man Bear Le Vrette who abducts a girl and takes her into the mountains (if you were one of my wonderful beta readers, don’t be confused … I changed the title after I sent out the book to beta readers).

In “Too Long the Winter,” U.S. Marshal and the girl’s distraught father turn to Le Vrette’s friend for help in tracking the mountain man and attempting to save the girl.

It is a fast-paced novel with a good bit of action to it, and it was so much fun to write. I never really intended to turn it into a series, but I liked the main character (Luther Corbett) so much that I figured out a way to work him into another series that I’ll be starting later this year.

The first series I’m releasing is the Two Rivers Station Western series. The focus of the series is Jack Bell, a Confederate veteran who after the war returns to the Texas farm his father had. These books are classic Westerns – badges and gunsmoke, good guys and bad guys.

The second series I’m releasing (look for it in March) is the Lodero Western series.

Lodero is the classic sort of gunslinger from the Old West, but he’s on a mission to learn what happened to his father who went to seek a fortune and never came home. This is a 4-book series, and my intention is to release all four books this spring.

I’ll share this with you: In my family’s history there is a story about an ancestor who went west to Oregon or California. No one in the family ever heard from him again. But some years after he left, someone shipped his trunk (empty) back to the family.

I’ve heard that story several times since I was a little kid, and that was some of the inspiration behind the Lodero novels.

After Lodero, probably sometime this summer, I’ll be releasing another series of books. These are much shorter, but my intention is to publish a story once a month in this series at least for a few months. The series is character-driven and is set in a gold rush boomtown in the Colorado mountains in the 1870s. The location Animas Forks, was a real gold mining boomtown and is now a ghost town.

To give you a flavor, if you enjoyed the HBO series Deadwood, you’ll probably like “Animas Forks.”

If you’re a Jackson Speed fan, I hope you’ve had an opportunity to read “Jackson Speed In the Rush.” I am still working on the next book in the Jackson Speed Memoirs – Jackson Speed and the Regulators. My hope is that I will have that book ready to publish sometime in August.

If you enjoy classic Westerns, I hope you’ll give some of my new books a chance. I’m  thoroughly proud of them and very excited to see how readers receive them.

Tearing down the Confederate statues

 

I remember as a child riding through Southern towns with my parents, and always searching for the statue of the Confederate soldier. When I was very young, my father had pointed them out to me and told me on road trips to look out for them.

To me, the statue was a tangible and expected memorial to the history of the War of the Rebellion, the war my father studied in the books sitting the table beside his chair; a war my great-great grandfathers fought in. The statues, to my young imagination, were a representation of my great-great grandfathers, one of whom donated his arm at Vicksburg to the cause of liberty.

I craved the statues of soldiers rather than a plain obelisk bearing only names, because in the faces of those statues I saw the faces of the dead in the old photographs from my father’s books. I frequently would lie on the floor and look at those picture in the books and try to imagine the lives of the corpses scattered on the recent battlefield; I would try to imagine who they had been and what they had lost.

The South was thoroughly beaten in the war. Sherman cut a swath through Georgia and the Carolinas, destroying property the entire way. The Army of the Potomac, and not much less the Army of Northern Virginia, ravaged the Virginia countryside. Veterans returning home near the battlegrounds in Virginia easily got lost as they found themselves in a landscape that in no way resembled the homes they had left in 1861. The men felled entire forests in service to their respective armies. Towns and homes and farms – all the familiar landmarks – were leveled.

Nearly all the battles fought happened in the seceded Southern states. Gettysburg and Antietam being the primary exceptions, the biggest fighting of the war occurred in Virginia, the Carolinas, Tennessee, Georgia, and Mississippi.

Like any beaten nation, the states that comprised the Confederacy suffered long after life in the Northern states returned to normal.

The Southern states were occupied and governed, at least initially, in the way that any victor would occupy and govern the land of a beaten foe.

Many efforts were made for swift reconciliation, and for some, that swift reconciliation came. Many of the South’s leaders went on to occupy elected office in the states or even the federal government. Others commanded black troops in service to the United States government.

But deep wounds festered in the South.

Politically and economically the South would not recover for two generations or more. Much of the South suffered in poverty for decades after the war. The blame, or much of it, can be laid not at the feet of the conquering Yankees, but at the feet of the Southern politicians who discovered that their political power was sustained by a weak and poor population. But so long as the Southern black was poorer than the Southern white, Southern politicians could be guaranteed reelection. Deepening the divisions of race to deflect attention from the solidarity of poverty was good business for white politicians.

Of course, the boll weevil and store credit played no small part in rural Southern poverty, but economics has a multi-faceted nature.

As the Confederate veterans aged, it became proper that they – and those who did not age – would be memorialized.

It does not require a vivid imagination to understand the motivations. Men and women who lost friends, cousins, brothers, sought to honor them. The sons and daughters of the aging Confederate veterans took up collections to raise statues to their fathers.

They did not erect statues to honor nameless and faceless heroes of the past, but to honor the people they knew and the people they lost.

In some instances, surely, the statues went up at the expense of the taxpayer and likely as not these were cynical (and successful) appeals for votes. Undoubtedly these statues also were intended as a defiant gesture against the Yankee government when Southern Democrats regained political control. That the statues were also intended as a message to freed slaves and their sons and daughters should not be ignored. That very defiance to the Yankee government told another tale to Southern blacks, a Jim Crow tale, and a warning of continued political oppression.

And so the question we must ask ourselves is whether it is right to continue to honor these Confederate dead, knowing as we do that their memorials in public places were often erected with the dual intention of telegraphing a message of defiance and oppression.

As much as some might want these statues to be lasting symbols of heritage and culture, the sad fact is that for many of our neighbors and our fellow Southerners, these statues are a constant reminder that their heritage at one time was the oppression of a people who equaled under the law only three-fifths of a man.

I cannot help but reach the conclusion that these statues should be removed from public squares and parks. I hate this, because for me personally these statues represent a tangible connection to the not-so-distant past, a past that thoroughly obsesses me.

But knowing that the statues hold a very opposite meaning for so many of my fellow Southerners, and believing that their view of these statues cannot be reconciled with mine, I see no way forward where everyone can be made satisfied and these statues left in place.

But it should not be the work of angry mobs, nor of politicians craving to garner the same cynical votes they craved a century ago.

The solution should come from the very people who erected the statues in the first place.

The Sons and Daughters of the Confederacy, the ones to whom the statues represent heritage and culture, should be given first right of refusal to receive back the statues they bought. And they should then mount the statues in private parks, or in museums or donate them to the Civil War Trust to put on battlefields where it might make sense.

And in places where these statues were erected by governments and not by private organizations, paid for by taxpayers, the Civil War Trust should be given the statues to put in appropriate places.

Whatever else these statues might have been, they are now forever a part of our history, a history that is complicated and often means vastly different things at the same time. The statues themselves are a part of our history beyond just what they represent. And history should not be lost nor ignored. But the place these statues occupy in our present should not be the places they presently occupy.

Public places – government places – must be places of equal access, and having statues of Confederate soldiers standing guard at courthouses and town squares is an inappropriate use of public property.

If James Garner is your Clint Eastwood, Jackson Speed might be for you

A few days ago, I wrote a post wherein I describe people who should not bother reading the Jackson Speed novels.

I thought it was only fair that I also put together a list of those readers who might enjoy the Jackson Speed Memoirs and should therefore be reading them.

 

If James Garner is your Clint Eastwood

There was a time when I thought that folks who enjoy a good Western would also make good Speed fans. Though most of the Speed novels published so far take place during or around the time of the American Civil War, I’ve always known that eventually the action would shift to a Western setting.

And, as is true with The Outlaw Josey Wales or The Good, The Bad, & The Ugly, the American Civil War and the traditional Western should never be completely separated. Much of the lawlessness of the “Wild West” was a direct result of the Civil War veterans who sought their fortune to the west in a hard and untamed land.

So knowing that one day Jackson Speed would rub elbows with the likes of Billy the Kid and Buckshot Roberts and would ride with the Pinkertons, I always considered the Speed novels to be akin to Westerns.

But I trip on a specific point.

Most Westerns feature as the protagonists brave and hard men who fear nothing. They are fast with a gun and are modern-day knights, chivalrous and noble.

If you love a good Western, there’s a pretty good chance that you want your heroes to be heroic.

Jackson Speed is not that. He’s a coward who stumbles into his adventures, and rather than putting on the white hat and figuring a way to beat the guy in the black hat, Speed is always trying to figure out how to get out of the trouble he’s in. And the color of the hat he wears is always whatever is most convenient for the moment.

I think about some of James Garner’s movies, particularly “Support Your Local Gunfighter.”

Speed is much more the conman with loose morals, more similar to Latigo, than he is Marshal Jed Cooper, the trail-hardened gunslinger.

Jackson Speed is the classic lovable rogue: Rhett Butler, Maverick, Han Solo. If he wasn’t, then how does he manage to always get the girl?

So if James Garner is your Clint Eastwood, and you like your heroes to be a bit on the cowardly side, you’ll probably enjoy the Jackson Speed Memoirs.

 

If you love history

I am meticulous when it comes to the historical settings of the Jackson Speed books, and I can all but guarantee that even the most avid of armchair historians will learn something in the Jackson Speed books. Some of the books are more heavily footnoted than others – Orange Turnpike, High Tide, and In the Rush all have numerous footnotes to assist in setting the historical context of the books.

In researching the books, I go to as many primary sources as I can. When historical figures make a cameo in the Jackson Speed books, I try very hard to be true and accurate to the character of the man or woman resurrected in the novels.

When describing battles or historical events, I attempt to recreate those as exactly as I can, and I will bend my story to fit the historical record before I will rewrite history to fit my narrative. And when I cannot tell the story I want to tell without altering history, I make a note of it in the footnotes to preserve the historical record.

I do this because I have both a passion and respect for history.

As a result, I also dig deep into my research to find the bizarre and outrageous and forgotten bits of history that you’ll not find in your text books.

Where – other than a Jackson Speed novel – are you going to discover the true and accurate reason why the Georgia volunteers were not taken into battle by Zachary Taylor in the Mexican-American War? Almost nowhere. That true and accurate historical accounting took extensive research, and it’s a moment of history that has almost entirely disappeared from memory.

And that was just a scene from the first book. Similar scenes can be found in any of the Jackson Speed novels.

 

If you’ve gone looking for Historical Fiction and you’re sick of finding this:

 

 

 

 

 

 

 

 

 

 

 

 

Nothing against Jasmine Ashford (if that’s your real name!). Her books sell significantly better than mine, and she’s got dozens and dozens more 4- and 5-star reviews than I have.

But if you’ve gone looking for historical fiction, and you found this, and you were horrified, I promise that Jackson Speed is not this.

“Shauna had loved Aaron so much; their eyes locking when they met on the street one day. She wasn’t stupid though; she understood completely that a Lord could never marry a peasant, no matter how much they thought they loved each other. She had accepted that from the beginning, just as she accepted everything about him. His smile, his blue eyes, his laugh; his penchant to dream. She knew everything about him as he did her, and she loved him with all of her heart.”

Jackson Speed is nothing at all like this.

 

You like your humor dry and dark

The Jackson Speed Memoirs are not laugh-out-loud novels, but they are rich in humor. Much of it is a dark humor, as a fair number of the punchlines are centered on some man’s misfortune or death. All of it is a dry humor.

If you like slapstick comedy because you don’t get the joke unless someone smacks you with it, you might not laugh much while reading Jackson Speed. But if a subtle joke that makes you crack a smile is how you roll, you’ll probably enjoy the Jackson Speed novels.

 

You’re sick of political correctness

I don’t go out of my way to write non-PC novels, but I am certainly not creating characters who have 21st Century sensibilities and putting them into novels about the 1800s.

Some of my characters are bigots. Jackson Speed is a womanizer. The only thing his wife hates more than an abolitionist is William Tecumseh Sherman.

I don’t seek to write offensive books for the sake of being offensive, but if you feel like everyone is too uptight all the time and you think an off-color joke shouldn’t be a crime, you might find that the Jackson Speed novels are just the right amount of offensive.

If you are easily offended, please see my list of people who should not read my books. It does not (but should have) included people who are easily offended.

 

Nipples and bigamy are cool with you

You think it’s funny that an old man in his 80s and 90s, writing his memoirs, recalls all the women he bedded by the size, color and shape of their nipples.

As noted earlier, Speed is a womanizer. He gets belly-to-belly with as many women as he possibly can in 100,000 words or so, and in writing his memoirs his favorite thing is to reminisce about those women. Often, he recalls them by specific features, in particular their nipples. And he refers to their breasts as “teats.”

The sex is not explicit, but there is a lot of it. Jackson Speed’s arch nemesis throughout each of the novels is the “toothed vagina.” Every escapade and dangerous adventure that Jackson Speed encounters is brought about by his desire to bed some woman, and he is only married to a few of them.

If this isn’t enough to put you off the books, then you are almost surely going to love the Jackson Speed novels.

 

You love a good adventure

The Jackson Speed novels are full of adventure. Some of them read like a spy novel, and some are military adventures.

Speed’s life span takes him from the Mexican-American War, through the 1849 California Gold Rush, into the War of Northern Aggression, and out to the Wild West. In that time he spends time as a Texas Ranger, a Pinkerton, an officer and a spy for both the Union and the Confederacy, an outlaw, a prospector, an Indian and he rides with the 7th Cavalry. He’s a member of the Knights of the Golden Circle, and he helps fugitive slaves flee the South.

You don’t have to know the history to enjoy the adventure.

 

So if James Garner is your Clint Eastwood and you get a kick out of a hero who will do any anti-heroic deed to get himself out of trouble, then I’d recommend the Jackson Speed Memoirs to you.